BERLIN

Berlin Fernsehturm skytower

You are crazy, my child. You must go to Berlin.
— FRANZ VON SUPPE - 1800'S

My French next-door-apartment-neighbor was a wild kinda guy. He had long grey dreads that always were lifted off the ground by one of their own, and a pair of vivid blue eyes in a dark face. He played electronic music in the middle of the day, the sounds reverberated around the building and in the walls. He told me on no uncertain terms, that I absolutely must visit Berlin.

So, of course I had to visit Berlin.

Berlin was cool. The kinda cool that seems effortless, that doesn't give a rat's ass about anything. In the U-bahn, a young man took his shoes off and reclined along the seats with a book over his face. On the streets, we found a multitude of art forms, expressions, posters screaming 'revolution,' stickers, times and dates of small indie gigs, graffitied scrawls of space-exploring penguins. There were recycling bins everywhere! It was also a raw place - the past cannot hide in Berlin. It is written on the walls in bullet-holes, and the new city has made its home in the shells of the old, like a hermit crab. And the sunsets were always gorgeous: a dark red sun that drifts past an orange horizon into the florescent night. Berlin was so darn cool.

 

Graffiti on the Berlin Wall - colourful layers of graffiti.
Hipster coffee cart in Berlin
A red sunset in the smog of Berlin.
Old school buses selling Currywurst in Berlin.
Bicycle on the streets of Berlin.
currywurst at a small cart in Berlin
Brandenburg Gate, Berlin in the spring.
Skyscraper with sharp edges in Berlin Potsdamer Platz.
Layers and layers of posters on a lamp post, in Berlin.
Fernsehturm and the Berlin skyline seen from above.
Hipster thrift shops in Berlin, with odd things like mannequins dressed in funny clothes.
Thrift shops in Berlin selling all manner of odd things.
Rain on the window, and people passing with colourful umbrellas in Berlin

KARLOVY VARY

Karlovy Vary architecture - rooftops and spires.

TAKING THE WATERS

One of the deepest and most enduring preoccupations, from the baths of antiquity through to the Victorian deluge of “hydros,” has been water... the pernicious potential of standing waters, humid vapors, excessive rainfall, pestilential miasmatic fogs, and subterranean aqueous abysses... but also the curative powers of water.

In Homeric times, baths were used primarily to cleanse and refresh. By the time of Hippocrates, however, baths had acquired both general and specific healthful healing properties. The bodily humors could be heated, cooled, moistened, or dried by a combination of hot and cold baths; thermal baths soothed chest and back pains in pneumonia; cold baths relieved swellings and painful joints; and aromatic vapor baths were advised for female disorders. The waters were also drunk...
— R. PORTER - THE MEDICAL HISTORY OF WATERS AND SPAS

Karlovy Vary is a town of faded glories. Paint peeled from the walls, and from the curls of the old iron art nouveau gates.

The town seemed to come straight from the pages of Anna Karenina, reminding me of the passages about popular curative spa towns. The grand esplanades, white pagodas, and old hotels with velvet curtains all hinted at a once grand, if temporary, populace. At one point, this spa town was so renowned that it had attracted the likes of Beethoven, Mozart and Freud. Yet, much like the Tolstoy's book, the town has been touched by time, and is now covered in a scattering of dust.

 

We had come to take the waters. 

 

Old clock in a promenade, Karlovy Vary.
Horse and carriage in the old town of Karlovy Vary, Czech Republic.
Architecture in Karlovy Vary old town - wooden houses, parapets and spires.
Underground spring of mineral waters, and an old spa town, Karlovy Vary

HEALING WATERS


Wooden architecture in Karlovy Vary - pretty wooden roofs.
Karlovy Vary porcelain shops selling fine porcelain
Old art nouveau metal work, bohemian Czech Republic.
Bohemian Czech Republic
Old restaurant in Karlovy Vary

DEATH'S CHURCH

Kutná Hora Church - full of human bones

DEATH | A REFLECTION

What can I say, that would be more inspiring than what has been previously said? As I reflected on death, in the surroundings of the small chapel at Kutna Hora, I remembered so many wise words. The bones were bare. The sockets of the skulls watched my every move. My own feelings came before me, and stood in front of me, unblinking. I am ready. Every day, I am ready to die, and this is why: I feel that I have lived every moment to the utmost, and I have no regrets and no attachments. I am content, happy in the fact that I could die tomorrow.

I think it is important to talk about these things - to reach a point where you can accept that waiting white hand. For, as the fear of death fades away, so does an apprehension towards truly living! Let me explain. We fear death, so we do not speak of it. We do not think on it, or only in our worst daydreams. Not in the bright sunlight of the world. And thus, the person who thinks not of death does not reflect on the fragility of life - how precious it is. For, life hangs on death and vice versa. If we become our mortality, then we can appreciate life everyday, and decide what it is we want from that day, and from all the days we have left. To stop just-getting-by, and to start living in each moment is a momentous change!

Kutná Hora inside - bone chandelier and decorations.
The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time.
— MARK TWAIN
Coat of arms made from human bones in Kutná Hora church.
Human skull kutna hora
From my rotting body flowers shall grow. And I am in them and that is eternity.
— EDVARD MUNCH
Skulls strung up with bones at Kutná Hora
All we have to decide is what to do with the time that is given to us.
— J. R. R. TOLKEIN
Skulls at Kutná Hora Church in the Czech Republic
Death, the sable smoke which vanishes the flame.
— LORD BYRON